Arts

Noam Gal

Dr. Noam Gal

Arts Institute
Art History Department
Faculty main building room 6818

Research Fields

  • Contemporary Art
  • Israeli Art
  • History of Photography
  • Aesthetics
  • Museum Theory
  • New Media

Read More

About

Dr. Noam Gal (PhD, Yale 2012), scholar and curator of the arts in the camera-age, is a senior lecturer at the Art History Department, The Hebrew University of Jerusalem. Between 2013-2021 he served as Chief Curator of Photography at the Israel Museum Jerusalem. Gal's main exhibition projects featured the art of Richard Avedon, Berenice Abbott, Ron Amir, Ilit Azoulay, Tomoko Sawada, Roi Kuper, Micha Bar-Am, and Chen Cohen. Gal is the curator and author of A Modern Love, the first survey in Hebrew of modernism in photography. Gal's essays appeared internationally in Critical Arts, African Identities, The Art Journal, Photographies along with numerous local venues. His book project Compressions: Israeli Art in the Third Millennium is forthcoming in 2023.

 

Selected Publications

1. Noam Gal, “Joint Spectatorship: Experiments with Photography,” Photographies Vol. 15 (3), 2022 (forthcoming).

2. Noam Gal, “When Seeing Expires: Art History and the Work of Alison Rossiter,” Art Journal Vol. 81 (1), 2022, pp. 27-43.

3. Noam Gal, "Theodor Herzl Is Yael Bartana, Rereading Jewish History Through Photography, Thomas Pegelow-Kaplan and Ofer Ashkenazi eds. (Albany: SUNY Press, forthcoming 2022).

 

Teaching

B.A. courses

History of Light: Introduction to the Art of Photography

Cutting Contemporary Art

Great View: Introduction to the Philosophies of Art

Israeli Art in the Third Millenium

         M.A. courses

Regarding Now: Philosophies of Contemporary Art

Hang The Curator: Critiques of the Museum

Performance: Art Against Life

Reel Time: from Photography to Video-Art and Back

 

Read Less
Yossi Maurey

Prof. Yossi Maurey

Musicology Department
Arts Institute

Research Fields

  • Medieval music
  • Liturgy
  • Manuscripts
  • Medieval notation
  • Latin poetry

Read More

About

Prof. Yossi Maurey holds a PhD in musicology from the University of Chicago.  Since 2008, he has been a faculty member of the department of Musicology at the Hebrew University of Jerusalem, where he holds the Hans J. Salter Chair in musicology. Prof. Maurey specializes in medieval sacred music and liturgy in France.

Selected Publications

Yossi Maurey, Liturgy and Sequences of the Sainte-Chapelle: Music, Relics, and Sacral Kingship in Thirteenth-Century France. Cultural Encounters in Late Antiquity and the Middle Ages. Vol. 35, Turnhout, Belgium: Brepols, forthcoming 2021.

Yossi Maurey, The Dominican Mass and Office for the Crown of Thorns.  Wissenschaftliche Abhandlungen/ Musicological Studies. Lions Bay, Canada: The Institute of Mediæval Music, 2019.

Yossi Maurey, “A Soldier of Great Prowess in a Motet around 1500.” Acta Musicologica 87/2 (2015): 153-192.

Yossi Maurey, Historia Sancti Gatiani, Episcopi Turonensis. Wissenschaftliche Abhandlungen/ Musicological Studies LXV/23. Lions Bay, Canada: The Institute of Mediæval Music, 2014.

Yossi Maurey, Medieval Music, Legend, and The Cult of St Martin: The Local Foundations of a Universal Saint.  Cambridge University Press, 2014.

 

Selected Awards

Polonsky Prize for Creativity and Originality in the Humanistic Disciplines (2015)

Recipient of the Rector’s Prize for Excellence in Teaching, and Research (2016)

 

Teaching

  • Bachelor's degree courses
    • The Melo-Dramatic Republic: Song and Opera in 19th-Century France
    • Writing about Music
    • Music in fin-de-siècle France
    • Music, People, the World
    • Ritual, Liturgy, and Additions to the Church Calendar
    • A New (Gregorian) Song in Born
    • Between the Monastery and the City: Monophonic Music in the Middle Ages
    • Notation and Music in the Fifteenth Century
    • Being a Musician in the Renaissance

 

Read Less
Diego Rotman

Dr. Diego Rotman

Arts Institute
Jewish Studies Institute
Department of Theatre Studies

Research Fields

  • Yiddish and Jewish Theater.
  • Performance Studies.
  • Contemporary Art.
  • Research-Creation.

Read More

About

Diego Rotman is a Senior Lecturer, researcher, multidisciplinary artist and curator. His research focuses on performative practices related to local historiography, Yiddish theater, contemporary art and folklore and research creation projects.

 

Selected Publications

Diego Rotman. 2021. The Yiddish Stage as a Temporary Home - Dzigan and Shumacher's Satirical Theater (1927-1980), Pp. 321. Berlin: De Gruyter.

Diego Rotman. 2020. “Language Politics, Memory, and Discourse: Yiddish Theatre in Israel (1948-2003).” Skenè. Journal of Theatre and Drama Studies, 6, 2.

Diego Rotman. 2019. “Building and Developing HaMesila Park: From Resistance to Collaboration.” In Understanding Campus-Community Partnerships in Conflict Zones Engaging Students for Transformative Change, edited by Dalya Yafa Markovich, Daphna Golan, and Nadera Shalhoub Kervokian. Palgrave.

 Diego Rotman. 2019. “The Fragile Boundaries of Paradise: The Paradise Inn Resort at the Former Jerusalem Leprosarium.” In Borderlines: Essays on Mapping and The Logic of Place, edited by Edwin Seroussi and Ruthie Abeliovich. Jerusalem: Sciendo / I-Core.

Diego Rotman. 2017. “On the architecture of the ephemeral: The Eternal Sukkah of the Jahalin tribe.” Journal of Modern Jewish Studies.

 

Selected Awards

2019,  Shapiro Award for the Best Book in Israel Studies

2017, Prize of the Israeli Minister of Culture for Visual Artists (together with Lea Mauas)

2018, Nominated for the Keshet Award in Visual Arts.

2014, Prize for an outstanding PhD Thesis, by the Leonid Nevzlin Research Center for Russian and East European Jewry.

2006, Prize for an outstanding M.A. Thesis by Beit Shalom Aleichem.

 

Teaching

Art as Research (Lab)

Introduction to Theatre and Performance Studies

The City as a Performative Arena: Performance, Intervention and Actions in the Public Space 

Dybbuk: Between Theatre and Ethnography

Cabaret Satire and Theater: Jewish Theatre in Europe

From Avant-garde to Political Satire: Dzigan and Shumacher's Theater

History of Theater in the Modern Period: Modernism and Avant-Garde

 

Read Less
Dani Schrire

Dr. Dani Schrire

Arts Institute
Folklore and Folk Culture Studies
Cultural Studies
Faculty main building, room no. 6726

Research Fields

  • Folklore Studies
  • Cultural Studies
  • Jewish Studies
  • Critical Heritage Studies

Read More

About

Dr. Dani Schrire is affiliated with two graduate programs. His work is inspired by Folklore theory, studies of everyday culture, actor-network-theory and critical heritage studies, examining reflexively the emergence of Jewish folklore studies in international networks, as well as archives, collections and other ethnorgaphic practices, postcards and walking as a cultural practice. He is a graduate of the Hebrew University (summa cum laude) and studied also at the Humboldt University Berlin. In addition, Dr. Schrire carried out postdoctoral research at Göttingen University and the University of Pennsylvania. Dr. Schrire is active in various international networks in folklore studies, European ethnology and Jewish studies and currently he is a member of the board of the International Society for Ethnology and Folklore )SIEF).

 

Selected Publications

2021. “Becoming a Version: The Case of Walter Anderson's Studies of Yiddish Folk-Narratives.” Narrative Culture 8: 129-154. 

2019. “Zionist Folkloristics in the 1940s-1950s, Diasporic Cultures and the Question of Continuity.” Hebrew Studies 60: 197-222.

2016. “Ballads of Strangers: Constructing ‘Ethnographic Moments’ in Jewish Folklore.” In Writing Jewish Culture: Paradoxes in Ethnography, eds. Andreas Kilcher and Gabriella Safran (Bloomington: Indiana University Press): 322-346.

2010. “Raphael Patai, Jewish Folklore, Comparative Folklorists and American Anthropology.” Journal of Folklore Research 47 (1-2): 7-43.

 

Teaching

Rumours: Folk-Genre Perspectives and Historical Perspectives

Cultures in Boxes: Ethnography of Collecting and Archives

Everyday Cultures: Routine Adventures

Learning to Walk: Walking in Cultural Context

Approaches to Critical Heritage Studies

The Quest for Jewish Folklore

After Bruno Latour: Studying the Culture of the Moderns

Postcards: Studying the Relics of Modernity

Read Less
Gal Ventura

Prof. Gal Ventura

Art History Department
Arts Institute

Research Fields

  • Nineteenth-century French art
  • socio-medical aspects of childhood and maternity
  • fashion and design
  • breastfeeding, pain, death, and sleep

Read More

About

Prof. Gal Ventura is a cultural art historian in the Department of Art History at the Hebrew University of Jerusalem. Her research  focuses on nineteenth-century French art, an epoch of revolutionary political, demographic, and cultural changes and engages socio-medical aspects of childhood, maternity, breastfeeding, pain, death, and sleep. Her recent essays, published in various international journals, investigate motherhood, medicine, design, and fashion.

 

Selected Publications

Gal Ventura, 2015, "Nursing in Style: Fashion versus Socio-medical Ideologies in Late Nineteenth-Century France," Journal of Social History 48, no. 3 (Spring, 2015): 536-554.

Gal Ventura, 2017, "Intention, Interpretation and Reception: The Aestheticization of Poverty in William Bouguereau's Indigent Family," Visual Resources 33, nos. 3-4 (Autumn, 2017): 204-233.

Gal Ventura, 2017, "'Long Live the Bottle': The French Bottle-Feeding Industry in the Nineteenth Century," Social History of Medicine 33, no. 2 (Autumn, 2017): 329-356.

Gal Ventura, 2019, "'Ceci n'est pas un Berceau': The Majestic Cradle of Napoleon's Son," Journal of Design History 32, no. 4 (September, 2019), 323-339.

Gal Ventura, 2020, "The Game of Chance: Marcel Duchamp's Large Glass and Nineteenth-Century French Political Caricatures," Konsthistorisk tidskrift: Journal of Art History 89, no. 5 (September, 2020), 1-23.

 

Teaching

Bachelor's degree courses

Introduction to Modern and Contemporary Art (2013-present)

Aesthetics: Critical thought about Art (2008-2012)

Oh Mama! Maternity in Visual Culture (2011-2012, 2018-2019, 2021)

Paris: Capital of the Nineteenth Century (2014-2016, 2019, 2021)

The Art of Blasphemy (2015, 2017, 2020)

Paris: Urbanism, Consumerism and Modernity (2016-present, Amirim)

Introduction to Aesthetics: Modern Critical Thinking Through the Arts (2017)

Me, Me, Me: Selfie and Narcissism (2019)

Master's degree courses

The History of Art History (2016-present, M.A.)

From Durer to the Selfie: The Art of Portraiture (2016-2017, 2021, M.A.)

Read Less